Cryptids of Nowhere
Tales from Nowhere features a diverse array of cryptids and supernatural creatures drawn from North American folklore. Many appear as hybrids, combining aspects of multiple legends. This page catalogs all creatures appearing or mentioned in the series.
Mothman
Episode: 1x01 "Welcome to Nowhere" (as hybrid)
Real-World Origin: Point Pleasant, West Virginia sightings (1966-67)
In the series, the Mothman appears combined with the Flatwoods Monster as a hybrid creature. It has glowing red eyes, massive wings, and a spade-shaped head. Despite its terrifying appearance, Abigail's visions suggest it was trying to protect the YouTubers from something worse.
Traditional Description: A large, humanoid creature with moth-like wings and glowing red eyes, associated with tragedy and disaster warnings.
Flatwoods Monster
Episode: 1x01 "Welcome to Nowhere" (as hybrid)
Real-World Origin: Braxton County, West Virginia encounter (1952)
Combined with the Mothman in the series. Contributes the spade-shaped head and mechanical/alien appearance to the hybrid.
Traditional Description: A tall entity with a spade-shaped head, glowing face, and mechanical or robotic body, often associated with UFO sightings.
Hidebehind
Episode: 1x03 "The Whispering Woods"
Real-World Origin: American lumberjack folklore
Fear Embodied: The terror of being followed, of secrets and things hidden
A shapeshifting entity that can never be seen directly, always staying just out of sight, lurking behind whatever the observer turns toward. In the series, it's drawn to people who are hiding something, feeding on secrets and the fear of being discovered. It causes the townspeople of Nowhere to sleepwalk into the forest, gathering those with hidden shames.
The Hidebehind's design in the show makes it impossible to film directly every shot is partial, obscured, or peripheral. It forces Satoshi Nakamura to confront and confess his dark past in order to save his wife Keiko.
Traditional Description: A nocturnal creature that stalks travelers in the woods, always hiding behind trees when they turn to look.
Pukwudgie
Episode: 1x04 "Echoes of the Past"
Real-World Origin: Wampanoag mythology
Fear Embodied: Being forgotten, losing one's memories and identity
Small, three-foot-tall beings with large heads and spindly limbs. Clara Sterling has been protecting them for over 70 years, ever since she brokered a peace between them and the Beaumont family. They guard the boundaries between worlds.
When the Wendigo grows stronger, the Pukwudgies begin stealing objects from Beaumont Manor not out of malice, but to build a "memory shrine" that might anchor them to this dimension when the barriers fall. The episode reveals crucial hints about Abigail's parentage through a 1947 photograph the Pukwudgies kept.
Traditional Description: Small, grey-skinned humanoids known for mischief and sometimes deadly tricks, associated with the Freetown-Fall River State Forest.
Thunderbird
Episode: 1x05 "Trauma Storm" (as hybrid)
Real-World Origin: Various Native American traditions
Combined with the Piasa in the series to form a massive, chimeric bird-dragon. It can manipulate electromagnetic energy and bring technology to malevolent life.
Traditional Description: Enormous supernatural birds that create storms and thunder with their wingbeats, often depicted on totem poles and in rock art.
Piasa
Episode: 1x05 "Trauma Storm" (as hybrid)
Real-World Origin: Illini mythology (Piasa Bird)
Contributes dragon-like features, antlers, and a feline face to the Thunderbird hybrid.
Traditional Description: A dragon-like creature depicted in Native American pictographs near Alton, Illinois, with antlers, wings, and a long tail.
Skinwalker
Episode: 1x06 "The Skin Walker"
Real-World Origin: Navajo beliefs (Yee Naaldlooshii)
Fear Embodied: Identity theft, not knowing who you can trust, being truly alone
A shapeshifting entity that can perfectly copy any person it studies. In the series, it replaces Sasha Black and begins stealing identities throughout Nowhere, sowing paranoia and distrust.
Unlike a traditional monster, the Skinwalker is portrayed with unexpected depth. It takes others' forms because it fears being alone with itself. Abigail defeats it not through violence but through compassion, asking it what it fears. The creature chooses to release Sasha and retreat, though the final shot suggests part of it may remain within Sasha.
Cultural Note: The show treats Skinwalker legends respectfully, acknowledging their origin in living Navajo tradition. The creature is portrayed as complex rather than simply evil.
Batsquatch
Episode: 1x07 "Family Reunion"
Real-World Origin: Washington state sightings (1994)
Fear Embodied: Toxic family dynamics, the "monster in the room" everyone pretends not to see
A massive creature combining bat and ape features, with wings that blot out the stars. It slumbers in the abandoned mines beneath Nowhere, awakened by the intense emotional turmoil of Keiko Nakamura's family reunion.
The Batsquatch is drawn specifically to family dysfunction. It doesn't simply attack it forces confrontation, cornering family members until they speak the truths they've been avoiding. Thaddeus reveals the Beaumont family tried to "harvest" the creature in the 1940s.
Traditional Description: A large, purple-furred bat-like creature with yellow eyes, allegedly spotted near Mount St. Helens.
Hollow Men
Episode: 1x08 "The Hollow Men"
Real-World Origin: Original to the series (name references T.S. Eliot)
Fear Embodied: Loss of identity, losing everything that makes you "you"
Humanoid figures with blank faces, dressed in clothes from various decades. They are the horrifying results of failed Mithraic Cult immortality rituals people who were supposed to become immortal but instead were transformed into creatures that exist but don't live.
The Hollow Men hunger for what they've lost memories, identities, the essence of personhood. They specifically target Thaddeus Beaumont, blaming him for their condition (his resistance to the 1955 ritual broke its power). Clara performs a ritual to release their souls, allowing them to finally die.
Design Notes: The Hollow Men's design was inspired by faceless figures in surrealist art, particularly Magritte's paintings.
Snallygaster
Episode: 1x09 "Judgment Night"
Real-World Origin: Maryland folklore (German immigrant origin)
A dragon-like creature with a metallic beak, appearing during the mass cryptid convergence in "Judgment Night." Part of the army of creatures drawn to Nowhere during the Wendigo's "sorting" event.
Traditional Description: A dragon-like beast with metallic beak, claws, and a single eye, said to prey on humans and chickens in Maryland's Frederick County.
Jersey Devil
Episode: 1x09 "Judgment Night"
Real-World Origin: New Jersey folklore (Pine Barrens)
A winged, hooved nightmare that appears alongside the Snallygaster and other cryptids during the "Judgment Night" convergence. Like the other creatures, it responds to Abigail's plea for alliance against the Wendigo.
Traditional Description: A kangaroo-like creature with bat wings, hooves, horns, and a forked tail, allegedly the cursed 13th child of "Mother Leeds."
Jackalope
Character: Clara Sterling's pet
Real-World Origin: American Western folklore (Douglas, Wyoming)
Clara's seemingly mundane pet may be more than it appears. Some fans theorize it's another immortal being, a familiar, or a manifestation of Clara's power.
Traditional Description: A rabbit with antelope horns, originating from taxidermy hoaxes that became beloved Americana.